For Those Who Love to Paint ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ART MATERIALS & TECHNIQUES INTERVIEWS & FEATURES TIPS FOR CREATING STRONG COMPOSITION AND ILLUSORY DEPTH Read more → THE HISTORY OF LEAD WHITE OIL PAINT AND ITS MODERN ALTERNATIVES Read more → ARTIST REVIEW OF JACKSON’S SYNTHETIC SQUIRREL TRAVEL BRUSH SET Read more → FINE ART RESTORATION WITH JAMES BLOOMFIELD FINE ART RESTORATION WITH JAMES BLOOMFIELD Read more → ARTIST INSIGHTS | 21 MIN FILM ANN WITHERIDGE Ann Witheridge, founder of London Fine Art Studios, demonstrates how to get the most from using an artist's palette and explains how its weight, material, and colour can inform how you paint. Ann Witheridge, founder of London Fine Art Studios, demonstrates how to get the most from using an artist's palette and explains how its weight, material, and colour can inform how you paint. WATCH FILM WATCH FILM HOW TO MAKE A WOOD ENGRAVING SAMPLER Read more → VAN DYCK BROWN: ITS HISTORY AND ROLE IN COLOUR MIXING VAN DYCK BROWN: ITS HISTORY AND ROLE IN COLOUR MIXING Read more → JACKSON’S ART PRIZE 2024 EXHIBITION AT THE AFFORDABLE ART FAIR Read more → THE ART OF SILVERPOINT DRAWING: HISTORY, MATERIALS, AND TECHNIQUES Read more → INSIDE THE SKETCHBOOK | 8 MIN READ ALEXANDER STANTON Alexander Stanton discusses techniques including how structured experiments with his sketchbooks and automatic drawing improves his draughtsmanship. Alexander Stanton discusses techniques including how structured experiments with his sketchbooks and automatic drawing improves his draughtsmanship. READ MORE READ MORE REVIEW OF JACKSON'S PENCIL BLENDING MEDIUM Read more → MICHAEL HARDING INTRODUCES HIS 10 NEW OIL COLOURS MICHAEL HARDING INTRODUCES HIS 10 NEW OIL COLOURS Read more → FEATURE | 25 MIN FILM IN CONVERSATION WITH CAROLE HÜBSCHER AND ERIC VITUS, CARAN D'ACHE IN CONVERSATION WITH CAROLE HÜBSCHER AND ERIC VITUS, CARAN D'ACHE WATCH FILM WATCH FILM PIGMENT STORIESLearn about the secrets of pigmentssuch as Zinc Yellow, Maya Blue, andViridian Green in our short film series. Watch Now PIGMENT STORIESLearn about the secrets of pigmentssuch as Zinc Yellow, Maya Blue, andViridian Green in our short film series. Watch Now ACCOUNT SIGN INABOUT JACKSON'S JACKSON'S ART PRIZEHELP & ADVICECONTACT US UNSUBSCRIBE | VIEW IN BROWSER